DSLR Film Making – In Print

we've gathered below links to some of the best in print guides to turning your
DLSR Camera into a fully functional storyteller

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In Print

DSLR Cinema (amazon.co.uk £24.99)

dslrcinemaVideo-capable DSLR cameras give filmmakers a quality previously impossible without high-end cinema cameras. Exploring the cinematic quality and features offered by hybrid DSLRs, this book empowers the filmmaker to craft visually stunning images inexpensively.

Learn to think more like a cinematographer than a videographer, whether shooting for a feature, short fiction, documentary, video journalism, or even a wedding. DSLR Cinema offers insight into different shooting styles, real-world tips and techniques, and advice on postproduction workflow as it guides you in crafting a film-like look.

Case studies feature an international cast of cutting edge DSLR shooters today, including Philip Bloom (England), Bernardo Uzeda (Brazil), Rii Schroer (Germany), Jeremy Ian Thomas (United States), Shane Hurlbut, ASC (United States), and Po Chan (Hong Kong). Their films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.

 

The DV Rebels Guide (amazon.co.uk £29.44)

dvrebelWritten by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but don’t have Hollywood budgets.

The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music.

Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there. Readers will learn how to integrate visual effects into every aspect of filmmaking–before filming, during filming and with “in camera” shots, and with computers in postproduction. Throughout the book, the author makes specific references to and uses popular action movies (both low and big-budget) as detailed examples–including El Mariachi, La Femme Nikita, Die Hard, and Terminator 2.

 

101 Top Tips for DSLR Video (amazon.co.uk)

101dslrAll the information that a photographer or filmmaker needs to create cinemaquality movies with their digital SLR in a proven and accessible format.

Following the arrival of gamechanging new cameras from Nikon and Canon, the hottest area in the world of photography has been combining high definition video capability with all the advantages of SLRs interchangeable lenses; in other words, full cinematic creativity is within anyones grasp for the first time.

With its tipsbased structure, this book can be dipped into for reference for moviemakers of any background, or read covertocover for a complete course in moviemaking. There are also four case studies from realworld professional projects, including a TV advertisement and a music video.

 

 

The Guerilla Film Makers Handbook (amazon.co.uk £32.02)

tgfhbBrand new edition of this bestseller – the only book an amateur film maker needs! An entirely new, updated, and expanded third edition of the UK’s best-selling filmmaker’s bible, last updated in 2000. This new edition builds upon the most successful features of the previous books. It is larger in format, and includes hundreds more illustrations, diagrams, and box-outs.

The Q&A approach with experts is attractive in content and easy to digest. Where else can you listen to over 150 of the most knowledgeable people as they discuss their particular areas of expertise? And being filmmakers (not historians or lecturers), Jones and Jolliffe know which questions to ask and which are irrelevant or a distraction. They get to the core.

The first half of this book is expanded with significantly more expert interviewees, delving into new areas of filmmaking not covered in the second edition. And all of the case studies are brand new, featuring in-depth stories from recent low-budget success stories like “Shaun of the Dead”, “Open Water”, and “Saw”. This book comes with a DVD, packed with further Interviews with filmmakers, as well as theatrical trailers and other goodies.